Music provided the means for Rudhyar
to come to America—a performance
of an ultramodern type of multimedia
presentation (dance, music, light,
color, incense), for which Rudhyar
had written the orchestral music,
was given at the Metropolitan Opera
in New York in April 1917. But it
was too far ahead of its time to
arouse appreciation and understanding,
and it was eclipsed by America's
entrance into World War I, which
was announced the very night the
performance was given.
Rudhyar's music was composed at the
piano, unintellectually and without
attention to preconceived forms, patterns
of development, or rules. It is "essentially
the exteriorization of inner experiences and states
of consciousness and feelings. It is subjective rather
than the development of objective and intellectually
analyzable patterns conditioned by our culture."
Its "only purpose—if
one can really speak of 'purpose' in
such a context—has been to
stir people, to remove emotional and traditional
obstacles, vanquish psychic stagnation
and set psyches, souls or minds free
to be fully, eagerly, intensely themselves,
regardless of what parents and society forced them
to be."
Rudhyar stressed that in composing
music he was not, like so many other
composers past and present, fashioning
or contriving musical "objects." For
him, music is and should be the exteriorization
in tone of an inner life—the
flow of life (or in Ira Progoff's sense,
the psyche) itself.
From The
Essential Rudhyar: An Outline And
An Evocation (1983) by Leyla
Rudhyar Hill.
New
Recordings Are Being Added Regularly...
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notification when new recordings are
added to the Rudhyar Audio Archives, Email
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Technical
Difficulties or Comments
If you have any comments or
questions about these audios or if
you encounter any technical problems,
please Email
Nicki Michaels.
Some
Recordings of Dane Rudhyar's
Musical
Compositions